South Korea Box Office for Mary (2019)

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Mary
Theatrical Performance (US$)
South Korea Box Office $28,168Details
Worldwide Box Office $942,507Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

David is a struggling blue-collar captain looking to make a better life for his family. Strangely drawn to an abandoned ship that is up for auction, David impulsively buys the boat, believing it will be his family’s ticket to happiness and prosperity. But soon after they embark on their maiden journey, strange and frightening events begin to terrorize David and his family, causing them to turn on one another and doubt their own sanity. With tensions high, the ship drifts off course, and it becomes horrifyingly clear that they are being lured to an even greater evil out at sea.

Metrics

Movie Details

South Korea Releases: December 11th, 2019 (Wide)
Video Release: November 26th, 2019 by RLJ
MPAA Rating: R for some terror, violence, and language.
(Rating bulletin 2597 (Cert #51708), 9/25/2019)
Running Time: 84 minutes
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Tucker Tooley, Entertainment One, Emjag
Production Countries: United States
Languages: English

Limited and VOD Releases: Will Parasite Burrow Its Way into Audiences?

October 11th, 2019

Parasite

It is a shallow week for limited releases with more secondary VOD titles than ones that made it onto the main list. Of these, Dolemite is My Name has the best shot at a fast opening; however, it doesn’t have long before it comes out on VOD itself. This means Parasite could have the best long-term health in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/12/13 20 $14,951   148 $101   $28,168 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 1/24/2020 $110,696 128 128 128 $110,696 1/31/2020
Lithuania 9/27/2019 $10,404 10 10 15 $22,656 10/16/2019
Mexico 11/29/2019 $291,856 0 0 0 $574,207 12/10/2019
North America 10/11/2019 $0 0 0 0 $0
Russia (CIS) 9/19/2019 $44,879 260 260 260 $47,946 10/19/2022
South Korea 12/11/2019 $14,951 148 148 148 $28,168 12/18/2019
Spain 6/26/2020 $0 0 108 142 $158,834 7/23/2020
 
Worldwide Total$942,507 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Gary Oldman    David
Emily Mortimer    Sarah

Supporting Cast

Manuel Garcia Rulfo    Mike
Stefanie Scott    Lindsey
Chloe Perrin    Mary
Douglas Urbanski   
Jennifer Esposito   
Owen Teague    Tommy
Claire Byrne   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Michael Goi    Director
Anthony Jaswinski    Screenwriter
Tucker Tooley    Producer
Scott Lambert    Producer
Alexandra Milchan    Producer
D. Scott Lumpkin    Producer
Earl Mason McGowin    Producer
Greg Renker    Executive Producer
Jason Barhydt    Executive Producer
Douglas Urbanski    Executive Producer
Anthony Jaswinski    Executive Producer
Lara Thompson    Executive Producer
Michael Goi    Director of Photography
Kara Lindstrom    Production Designer
Eric L. Beason    Editor
Jeff Betancourt    Editor
Sara Hall    Costume Designer
The Newton Brothers*    Composer
The Newton Brothers*    Composer
Marty Eli Schwartz    First Assistant Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.