Beth Sterner

Best known as a Sound Editor based on credits in that role in 3 films, with $695,426,305 worldwide aggregate box office (rank #49)
Best-known technical roles: Mission: Impossible III (Sound Editor), The Hunt for Red October (Sound Editor), Shooter (Sound Editor), Rat Race (Dialogue Editor), Drillbit Taylor (Sound Effects Editor)
Most productive collaborators: Susan Kurtz, Richard Vane, Mark Wahlberg, Antoine Fuqua, Jonathan Lemkin
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesSound Editor3$301,214,796$394,211,509$695,426,305
Sound Effects Editor3$124,929,707$93,378,442$218,308,149
Supervising Sound Editor3$45,155,706$126,602$45,282,308
Dialogue Editor1$56,607,223$30,000,000$86,607,223

Latest Ranking on Selected Box Office Record Lists


All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Mar 21, 2008Drillbit Taylor Sound Effects Editor $32,862,104$16,824,159$49,686,263
Mar 23, 2007Shooter Sound Editor $47,003,582$48,534,978$95,538,560
Mar 2, 2007Black Snake Moan Sound Effects Editor $9,396,870$1,554,283$10,951,153
May 5, 2006Mission: Impossible III Sound Editor $133,501,348$265,886,397$399,387,745
Aug 17, 2001Rat Race Dialogue Editor $56,607,223$30,000,000$86,607,223
Oct 13, 2000The Ladies Man Supervising Sound Editor $13,592,872$126,602$13,719,474
Aug 4, 1995Virtuosity Supervising Sound Editor $23,998,226$23,998,226
Mar 17, 1995Losing Isaiah Supervising Sound Editor $7,564,608$7,564,608
Jun 27, 1990Days of Thunder Sound Effects Editor $82,670,733$75,000,000$157,670,733
Mar 2, 1990The Hunt for Red October Sound Editor $120,709,866$79,790,134$200,500,000
 
Averages $52,790,743$64,714,569$104,562,399
Totals 10 $527,907,432$517,716,553$1,045,623,985