June 20th, 2014
There are a dozen limited releases on this week's list, including five films that are earning overwhelmingly positive reviews. Unfortunately, I don't think any of them will be monster hits. There's a Code Black, documentary, which is a genre that rarely finds breakout success. There's Coherence, a high concept Sci-fi movie that will likely be too out there to find an audience. Norte, the End of History, a four-hour foreign-language film, which will reduce its target demographic and the number of screenings that can be shown. A Summer Tale, a French film from 1996, which is making its theatrical debut. And finally Venus and Fur, which is probably going to be the biggest limited release hit of the weekend, but I really doubt it will expand wide enough to find a measure of mainstream success.
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January 31st, 2014
After a weak start, January rebounded and a couple of films on last month's preview cracked $100 million at the box office. Granted, Lone Survivor is technically a December release, but Ride Along will become one of the rare January releases to reach the century mark. Unfortunately, there doesn't appear to be too many February releases that have a real shot at $100 million. It is very likely that The Lego Movie will reach that milestone, but most of the rest of the movies will be lucky if they reach $50 million. Last February was very similar. We had one surprise $100 million hit, Identity Thief, plus a couple of solid midlevel hits, Warm Bodies, for instance. However, for the most part, the month was one miss after another. This means 2014 could continue its winning ways, or at the very least, shouldn't fall behind 2013's pace.
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November 22nd, 2013
This week's list of limited releases is kind of mixed. Frozen is coming out this week for a prestige opening before expanding wide on Wednesday and it is virtually guaranteed box office success. On the other hand, most of the rest of the films are documentaries, which almost never have breakout success. Every documentary on this list looks interesting, but of the non-Frozen releases, I think Philomena has the best shot at box office success.
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All Acting Credits
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Leading or Lead Ensemble Roles
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Supporting Roles
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Latest Ranking on All Acting Box Office Record Lists
Record | Rank | Amount |
Top 100 Stars in Supporting Roles at the Domestic Box Office (Rank 10,801-10,900) |
10,829 |
$163,295,805 |
Top Live Action Stars at the Domestic Box Office (Rank 10,801-10,900) |
10,841 |
$163,438,657 |
Top Below the Line Stars at the Domestic Box Office (Rank 40,801-40,900) |
40,851 |
$23,169,837 |
Top Stars at the Domestic Box Office (Rank 11,901-12,000) |
11,985 |
$163,438,657 |
Top 100 Stars in Supporting Roles at the International Box Office (Rank 17,601-17,700) |
17,683 |
$116,461,071 |
Top Live Action Stars at the International Box Office (Rank 17,101-17,200) |
17,106 |
$116,471,181 |
Top Below the Line Stars at the International Box Office (Rank 56,401-56,500) |
56,469 |
$1,157 |
Top Stars at the International Box Office (Rank 18,901-19,000) |
18,953 |
$116,471,181 |
Top 100 Stars in Supporting Roles at the Worldwide Box Office (Rank 14,101-14,200) |
14,116 |
$279,756,876 |
Top Live Action Stars at the Worldwide Box Office (Rank 13,801-13,900) |
13,849 |
$279,909,838 |
Top Below the Line Stars at the Worldwide Box Office (Rank 45,801-45,900) |
45,899 |
$23,170,994 |
Top Stars at the Worldwide Box Office (Rank 15,301-15,400) |
15,318 |
$279,909,838 |
All Technical Credits
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Director Credits
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Director at the Domestic Box Office (Rank 501-600) |
502 |
$172,537,280 |
Top Grossing Producer at the Domestic Box Office (Rank 1,401-1,500) |
1,481 |
$66,734,517 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,701-1,800) |
1,793 |
$54,721,225 |
Top Grossing Director at the International Box Office (Rank 301-400) |
389 |
$265,103,585 |
Top Grossing Producer at the International Box Office (Rank 901-1,000) |
925 |
$169,076,474 |
Top Grossing Screenwriter at the International Box Office (Rank 1,001-1,100) |
1,016 |
$152,550,870 |
Top Grossing Director at the Worldwide Box Office (Rank 401-500) |
438 |
$437,640,865 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,101-1,200) |
1,122 |
$235,810,991 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,201-1,300) |
1,246 |
$207,272,095 |